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Les fantasmes

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Le réalisateur confie « Il y a plein de fantasmes extrêmement drôlescomme la sorophilie, c’est d’être attiré par la sœur de sa conjointe» Description précise des fantasmes inconscients d’un enfant qui accompagnent ses activités dans la réalité. To see immense actors meeting each other, most for the first time, and mainly in a bed ... our pleasure was immediately there! When you mention the couple Carole Bouquet / Monica Bellucci, it's already a fantasy in itself, whoever you are. The short form also gave them all more freedom of tone. " Hinshelwood, R. D. A Dictionary of Kleinian Throught2nd edition. Free Association Books. Dictionnaire de la pensée kleinienne, Paris, PUF, 2000. From role play to abstinence, via exhibition, the film tells six separate stories with in the center the same questioning of desire today.

Formulations on the two principles of mental functioning’ [Formulations sur les deux principes du cours des événements psychiques]. The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 12. Hogarth Press (1958), Œuvres complètes de Freud, Vol. XI, Paris, PUF, 2009. Le fantasme inconscient est défini comme «le corollaire mental, le représentant psychique de la pulsion. Il n’y a pas de pulsion, pas de besoin ni de réaction pulsionnelle qui ne soient vécus comme phantasme inconscient.» (p. 79) et décrit comme une défense contre l’angoisse. Melanie Klein ne définit pas le fantasme, mais son insistance sur ce point est évidente tout au long de son travail avec les enfants comme avec les adultes. Les Fantasmes» est un film conçu comme une anthologie en six tableaux autour des fantasmes sexuels. Ou six regards sur l’amour aujourd’hui.What excites us, as always, is to create original duets, and here we are served: from Denis Podalydès / Suzanne Clément to Karin Viard / Jean-Paul Rouve, it is first and foremost our appetite as spectators who is satisfied, ”say David and Stéphane Foenkinos. The film is interpreted by an exceptional cast, including Carole Bouquet, Monica Bellucci and Karin Viard who was already showing in their previous film, "Jalouse". “We love actors,” the directors say. "This is undoubtedly one of our primary motivations when we approach a film. So here, we have fun by multiplying them. In addition to our" recurring ", like Karin Viard of course, but also Joséphine De Meaux that we found ourselves after "La Délicatesse" or Marie-Julie Baup and Corentin Fila after "Jalouse", it gave us the opportunity to work with people close to us, but also others with whom we had dreamed of touring for a long time. We had an unfinished project with Carole Bouquet and it was a great opportunity to find her.And in addition to those already mentioned, for example we very much wanted to offer a virtual counter-employment to Ramzy Bedia, or to exploit the comic potential of Céline Sallette and Monica Bellucci ". The development of a child’ [Le développement d’un enfant]in Essais de psychanalyse, Paris, Payot, 1968, p. 29-89.

Observations on the behaviour of young infants’ [En observant le comportement des nourrissons]in M. Klein, P. Heimann, S. Isaacs, J. Riviere, Développements de la psychanalyse,Paris, PUF, 1966, p. 223-253. With "Les Fantasmes", in theaters Wednesday in partnership with Europe 1, David and Stéphane Foenkinos sign a choral comedy illustrating the intimate life of six couples interpreted by an exceptional cast, notably with Karin Viard, Carole Bouquet, Monica Belucci, Jean -Paul Rouve and Denis Podalydès.Le fantasme fonctionne selon le principe de plaisir, faisant équivaloir «la réalité de la pensée avec la réalité externe, et les désirs avec leur accomplissement». Les fantasmes sont susceptibles de surgir lorsque les désirs instinctuels sont frustrés.

It would have been very improbable that all our characters, with their so particular desires, coexist in the same universe. To confer on the various tables a true independence allowed us to push the cursor even further."David and Stéphane Foenkinos have always appreciated, as spectators, films which are divided into chapters around a theme, such as "Everything you wanted to know about sex ... without ever daring to ask" by Woody Allen or the series of "Monsters" by Dino Risi or Mario Monicelli.

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