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Posted 20 hours ago

Somethin' Else

£2.995£5.99Clearance
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This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. He darts around, surfing the shadows, and somehow maintains vital connection with the steady cadences of the tune. On the other hand, the surface is so sensible, I already have micro thin hairline cracks on the spines of the first inner slip case thingies. Julian Cannonball Adderley’s only Blue Note album, Somethin’ Else, would likely forever be famous in music lore if just for the presence of Miles Davis. S. and Japan in 1986, and it continued to appear under this title, or as "Bangoon (aka Alison's Uncle)", on reissues into the 21st century.

Such inimitable feeling, or emotion, courses throughout every passage, and no where more obviously than on “Autumn Leaves” and “Love for Sale. On both sides the 9 and M are etched "sideways" relative to the rest of the information that's etched or stamped. Without question, the discreet interpretations of the Johnny Mercer and Cole Porter songs, respectively, found on Somethin’ Else have long been considered part of jazz’s alluring mystique. What emerges is not just the sound of five players doing their jobs well, but a group reveling in their common ability to galvanize and shape each other’s ideas.The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world’s quietest surfaces. This collector’s edition provides a clear, transparent, ultra-dynamic, and up-close view of a cornerstone effort that witnesses Adderley and Davis sharing horn duty alone for the only time in their fabled careers – an arrangement that occurred as a result of Adderley having joined Davis’ sextet a year prior. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the iconic photos to the gorgeous finishes. The vibrant potency reveals itself openly on an analogue set that provides full-range reproduction of an ensemble that also includes pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey.

At the end of that track, Davis can be heard addressing producer Alfred Lion, saying "is that what you wanted, Alfred?Housed in a deluxe slipcase, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording. Through the choices he makes about notes and accents and phrasing, he establishes the size of the canvas, the temperament of the tune.

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