All That Remains: A Life in Death

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I truly loved all the different parts of the telling of her stories, her opining, what she knows, what she doesn’t know, frustrations, joys, and her passion for the work, her deeply felt calling for it and satisfaction at the opportunities and obligations it has provided her. I like the way she thinks, love her humor and am amazed at her tolerance for incredibly trying situations. Unpleasantness I would run from. Horrors that would slay my every ability to respond at all, and she breathes deeply and reaches for her gloves. I could no more think of this kind of work than I could read it straight through. There were times I had to stop and do something else. Reading this book is like watching your favorite crime series only much more down to earth and more realistic. Just as thrilling, because Sue has experienced a fair share of ghastly situations, but shows you the relevance of her work, and why respectful treatment is important. An engrossing memoir . . . an affecting mix of personal and professional' (Erica Wagner , Financial Times)

Walid Khalidi was born in Jerusalem, he was educated at the University of London and Oxford University. He taught at Oxford, the American University of Beirut, and Harvard. Khalidi is a cofounder of the Institute for Palestine Studies (IPS, Beirut), of which he was general secretary until recently. He is a Fellow of the American Academy of Arts and Sciences and a cofounder of the Royal Scientific Society, Amman. He currently serves as President of the Institute for Palestine Studies (IPSUS, Washington, DC). One might expect [this book] to be a grim read but it absolutely isn’t. I found it invigorating! Andrew Marr, BBC Radio 4 'Start the Week' All That Remains provides a fascinating look at death - its causes, our attitudes toward it, the forensic scientist's way of analyzing it. A unique and thoroughly engaging book. Kathy Reichs, author of TWO NIGHTS and the Temperance Brennan series If you want to read a compassionate, beautifully written and honest book about death and what it takes to confront it on a daily basis, looked at from all its angles, fearlessly and without leaving any details out, in my view this book is a perfect start. A bunch of notes on the author's personal life, private meetings with death, career and anthropology. A lot of interesting side stories, personal take on things we all don't really know how to take.Maybe death is not the demon we fear. She does not need to be lured, brutal, or rude. She can be silent, peaceful, and merciful. Perhaps the answer is that we don't trust her, because we don't choose to get to know her. To take the trouble in the course of our lives to understand her.." Compelling, brave and extremely accessible.. A must for anyone who thinks about the basics of living and dying. And there are jokes as well. Rachel Joyce The book has the feel of the author having referred to an exacting diary because it is so well-written, coherent, and put together. It could be mistaken for a first-person literary novel, actually, if it wasn’t labeled as a memoir. A killer is stalking young couples, and the remains of 8 youngsters have been found dead over a couple of years. [1]

The programme was even more fascinating than I could have imagined and helped me discover more about both the process of identifying human remains and what kind of person it takes to do it. This book expands on much of what was in that interview, as well as adding more details about her life, work, and the cases in which she's been involved. It's a mish-mash of history, science, memoir, police investigations, cold cases, natural disasters, education and invention...not to mention some handy tips for would be murderers er...writers about procedure. For example, dismembering a body in certain ways cases too much leakage, making it harder to move and there really is a best way to remove a human head. And don't forget about the smell if you try to hide body parts in your cupboard or beneath your driveway (yes, she's seen this). Since the bathtub is well sized for a human body, people usually use it to cut up their inconveniently sized dead so Scene of Crime officers start their search there as a matter of course. Apparently it's hard to cut up/saw through a corpse without scratching the bath surface and it's very difficult to clean all the necessary drainage parts. Sadly, she didn't suggest better alternatives but I have these snippets of advice mentally shelved in case I ever need them. Which I won't, obviously. For fans of Caitlin Doughty, Mary Roach, Kathy Reichs, and CSI shows, a renowned forensic scientist on death and mortality. The book is closely based on the Colonial Parkway Killer, a suspected serial killer who is thought to have murdered 8 people in Virginia in the 1980s. In real life the cases are still unsolved though, as described in the true crime documentary Lovers’ Lane Murders from 2021. As Cornwell's novel made many believe that the Colonial Parkway murders had been solved, [2] father-daughter true crime authors Blaine Pardoe and Victoria Hester issued their book A special kind of evil in 2017, providing new information from the investigations. [3] Characters [ edit ]Do we expect a book about death to be sad? Macabre? Sue's book is neither. There is tragedy, but there is also humour in stories as gripping as the best crime novel.

Driven, ambitious, remarkably stoical, and a wonderful writer, this is a brilliant account and brief introduction to her fascinating life.An engrossing memoir . . . an affecting mix of personal and professional' ( Erica Wagner , Financial Times) A beautifully written memoir full of reflections on the deaths of strangers and family members. Oliver Thring, Sunday Times Poignant and thoughtprovoking… it is the book’s humanity which will connect with readers. Scottish Daily Mail

An engrossing memoir ... an affecting mix of the personal and professional. Erica Wagner, Financial Times She includes a number of cold cases. Murders that have never been solved. I found this rather unsatisfying. I know her motive was to hopefully shed light on these murders and hopefully bring justice to the murderers and give the victims' families a sense of closure, but they leave the reader hanging, like an unresolved chord at the end of a symphony. I’m (yet again) finding it difficult to organise my thoughts surrounding this book. It’s an intense, sometimes clinical, portrayal of death in a very pragmatic and scientific way. It’s equal parts cold and without feeling in its descriptions of death, yet also simultaneously deeply emotive and moving. I found that at times I had to step away from it, because although fascinating, I found myself becoming too attached to the cases. I’m also deeply in awe of the author’s knowledge, enthusiasm and respect for the subject she teaches.Part memoir, part science, part meditation on death, her book is compassionate, surprisingly funny, and it will make you think about death in a new light. This unsentim­ental exploration has at its heart the conviction that we should not fear death but accept it The other aspect of her book that I vehemently disagreed with and, in my opinion, had no place in such a book was her mini-dissertation on why she believes people should be able to decide their own life spans. She uses chilling terms like when someone "no longer has value" "and "doesn't want to be a burden" or really just doesn't want to live anymore. Shouldn't they have the right to decide to end their life legally and safely? Hmmm...legal and safe...where have we heard those terms before?