Let It Bee

Product Information

There are also bundles with a special 3-track promo CD, with an exclusive piano version of ‘Oh Love’. The quirkiness came in part from a boldly alternative visual appeal but also because, whilst they were determinedly pop, they also wanted to rock in an era where women were often narrowly confined to niches like soporific folk (Tanita Tikaram, Suzanne Vega) or flogging virginal teen ephemera (Tiffany, Debbie Gibson). Thirty odd years on, the fact that almost nobody still in the mainstream is addressing some of these subjects – where once they were brought into millions of living rooms on Top Of The Pops – is a telling indictment of society’s longstanding inability to confront them. Some may turn their nose up at the fun, playful pop and assume it's not worthy of praise, but those people are dead inside and probably had their father tear up their stuffed animal as a child.

Voice of the Beehive / Let It Bee – SuperDeluxeEdition

The duo arrived as LA refugees in 1986, primarily to escape what they described as the ‘sleazy politics’ of the West Coast music business, and would eventually stay on for a decade. This chart was licensed by ARIA until they commenced producing the chart in-house from 26 June 1988. Finally, Just a City ends the album off strong with yet another catchy chorus to fill your head with at random times.

The girls give plenty of emotion to these slower songs, and you really feel them with repeated listens. They teamed with British musicians Mike Jones, Martin Brett, Mark Bedford and Daniel Woodgate, the latter two of whom were former members of Madness. To spotlight these issues was one thing – but to do it so articulately and then wrap it up in such a listenable, pristine shell was another thing altogether. A remastered gatefold vinyl edition pressed on transparent honey yellow will also be made available. Rocking songs like What You Have is Enough and There's a Barbarian in the Back of My Car give the album a bit of an edge.

Voice Of The Beehive – Let It Bee (1988, Vinyl) - Discogs Voice Of The Beehive – Let It Bee (1988, Vinyl) - Discogs

The most effective moment however was the tabooist Sorrow Floats, spotlighting the rarely touched on subject of female alcoholism but with a tenderness latterly thrown on its head by a pealing, guitar on guitar climax. Had the vinyl for years, wondered what the CD sounded like - specially interested if it suffered from some very noticeable volume drops on some tracks - and yes it does! In October 2017, Bryn and Belland reformed with the original line-up to play a pair of concert dates in London, including the '80s/'90s revival show Indie Daze 4. In these worlds the titular and metaphorical Man In The Moon was the perfect partner because he never spoke, whilst the subject of What You Have Is Enough turned out to be a lazy consumerist in urgent need of some perspective.Their music came as a breath of fresh air among a heap of designer pop, acidhouse music and blandness. All titles Copyright Control except 7 Copyright Control/Warner Bros Music and 1 Copyright Control/Zoo Music. Given the present trend for labels to throw the kitchen sink at anniversary editions, the amount of additional material is relatively modest; of it the creaky minimalism of Lou Reed cover Jesus, Jump This Way’s Paisley Underground splendor and the cod-reggae of D’Yer Maker are the bits most worth closer attention. The entire album is brimmed with bright, sugary melodies that almost rot your teeth with their saccharine goodness. Vote up content that is on-topic, within the rules/guidelines, and will likely stay relevant long-term.