Gold Mother

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Following the release of Lose Control, a number 38 single, and the triumphant winter tour that included the infamous G-Mex shows, James hit the big-time with the re-release of Sit Down in March 1991, sitting at number 2 in the national charts for four weeks, being held off only by Chesney Hawkes’ The One And Only. a b c "Music: Studio Albums". James. Archived from the original on 13 May 2020 . Retrieved 27 December 2020. If you’re a fan of Mancunian legends James, you won’t want to miss out on this. Bandmembers Jim Glennie and Saul Davies will tell the story behind their breakthrough album Gold Mother at a special Classic Album Sundays event for National Album Day and supported by Bowers & Wilkins at the Royal Albert Hall’s Elgar Room on Tuesday, the 17 th October. Find out how they created their hit singles ‘Come Home’ and ‘Sit Down’.

With the album finished, James sought to discuss promotion with Geoff Travis, MD of Rough Trade who told them that he loved the album but that they would only ever be a minority interest with an audience of 20-30,000. James asked to be released from their contract as they felt they could reach a wider audience. The recently relaunched Fontana label, a subsidiary of Phonogram (later to be swallowed by Mercury) signed James and bought the Gold Mother album as a whole from Rough Trade, who were just about to go bankrupt. Official Singles Chart Top 100: 26 November 1989 - 02 December 1989". Official Charts Company. Archived from the original on 31 December 2020 . Retrieved 29 December 2020. a b "British album certifications – James – Gold Mother". British Phonographic Industry . Retrieved 30 December 2020. The Best Of (booklet). James. Fontana Records. 1998. 536 898-2. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) National Album Day returned for it’s sixth year on 14th October 2023. This year’s theme was the 1990s, celebrating the art of the album in all its forms – classic, life-changing, first, influential and the ones we just can’t live without. It saw over 40 classic albums from that decade being reissued or even appearing for the first time on vinyl in limited editions. This decade was a remarkable time for music and this event enabled fans to reconnect with some of their favourite albums of the era or even make new discoveries.

a b Fresh as a Daisy – The Videos (booklet). James. Fontana Records. 2007. JIMDVD1/984 836-2 (6). {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) sees 40 years of indie veterans James with 16 studio albums under their belt and a recent hugely successful sell out orchestral tour. As part of National Album Day, the band released two albums; Gold Mother and Laid on limited edition coloured vinyl. Such longevity is rare in the music industry and the range of diversity shown in these two albums alone is perhaps one reason why they are still going from strength to strength. a b c d e f g "Singles". James. Archived from the original on 24 August 2003 . Retrieved 4 June 2020. Most of the writing of the album came from sessions where the band were trying out new musicians after Gavan’s departure at the band’s rehearsal studio at Beehive Mills in Ancoats.

The Gathering Sound (booklet). James. Universal/Mercury Records. 2012. 2753129. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link)

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On 15 April 1991, the band's first video album Come Home Live was released, filmed at the December 1990 Manchester shows. [67] [68] Gold Mother was re-released in May 1991. "Come Home", "Crescendo", and "Hang On" were replaced by the Flood mix of "Come Home", "Lose Control", and "Sit Down". [1] Fans were able to swap their original copies for the reissues at Our Price stores. [69] The album was released in the US in July 1991 under the name James, with the addition of "Sit Down" and "Lose Control". [70] In August, the band headlined Reading Festival. [71] The band’s conversation with Classic Album Sundays founder Colleen Cosmo Murphy, will be followed by an uninterrupted vinyl replay of Gold Mother on an audiophile sound system featuring Bowers & Wilkins flagship 800 Series Diamond loudspeakers, used as reference monitors in some of the world’s leading recording studios, including Abbey Road, over the past 40 years. In this way, fans may hear details in the recording they have never heard before. After the replay there is an opportunity for fans to ask the band their own questions.

Sit Down itself sums up the group’s dichotomies. It always was a tad irritating, that chorus. But it did its job, endearing a square-peg outfit to a round-hole media, smuggling astute, pop-smart lyrics under the guise of sing-along jollity. Come Home was equally well-gauged. The timing – and the Madchester explosion – meant they were ripe for fashionable remixes which further spread the word. Tim Booth might loathe the thought, but they became perceived as a less aloof, more welcoming Smiths, who wouldn’t say no to a boogie. Later they leaned towards Eno, and art with a capital A, perhaps reacting to this. Official Albums Chart Top 75: 10 June 1990 - 16 June 1990". Official Charts Company. Archived from the original on 31 December 2020 . Retrieved 29 December 2020.Unterberger, Andrew (9 August 2018). "James Frontman Tim Booth Talks Making 'One of the Best Albums of Their Lives' With New 'Living in Extraordinary Times' ". Billboard. Archived from the original on 10 August 2018 . Retrieved 17 May 2020. a b James (booklet). James. Fontana/Mercury Records. 1991. 848 658-2. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) How Was It For You? preceded the album in April 1990 and achieved the band’s first Top 40 hit, reaching number 32. The album followed in June and was met with almost universal approval by the music press who were suddenly beginning to champion James again and was accompanied by a month-long tour of larger venues culminating in a triumphant performance at Glastonbury. Come Home, remixed by Flood, was re-released at the end of June and also hit number 32 in the charts.