A Lady For a Duke: a swoonworthy historical romance from the bestselling author of Boyfriend Material

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But Viola's new ability to explore life as her true womanly self has opened up yet another wrinkle when it comes to Gracewood: she can no longer ignore the fact that her feelings for him are considerably more than friendly. I listened to an audiobook which was Narrated by Kay Eluvian. What a wonderful performance. From depression to joy and every emotion in-between, plus young children to adults, the vocalizing is clear, gripping and engulfing. I did speed this up to 1.5 for conversational comfort.

For those who were fans of Boyfriend Material, it's worth noting that A Lady for a Duke is tonally quite different. While this does have some funny moments, it's not a comedy and is much more serious in tone. That said, I thought it was a really beautiful love story crafted with care, featuring a trans heroine and her childhood best friend who thought she had died in the war. This is wish-fulfilment, and why not? Why not have nice things? While the book begins with Viola stewing in her fears of rejection, should her old friend Justin, Duke of Gracewood, recognize her, once that recognition is made, the drama isn't that she transitioned, it's that she let him think she was dead. And then further drama as the two try to carve out a place for themselves which takes into account the expectations of a Duke (that is, continuing the family line) and also the expectations of a lady's maid (to not be disgraced by an affair).

You know, I’m growing a bit tired of stories that are steeped in irony and a “wink-and-nod” type humor, where every moment of sincerity is undercut by a joke. It was such a relief to come by a book that isn’t afraid to be unapologetically itself. Also, I’ve never read an epilogue that actually improved the book until this one, just absolute perfection. I think what makes this romance so incredibly striking is the fact that being together allows both Gracewood and Viola to process their grief, and they’re both grieving completely different things. Viola is grieving both the person she was wrongfully raised to be along with the womanhood she was never fully invited into or allowed to embrace. Gracewood, on the other hand, is not only coming to terms with the fact that he was grieving someone who was never actually lost, but he’s also grieving the past version of himself that was stronger, more independent, and more able-bodied—because that's how he's been taught to define his masculinity and because the world has conditioned him to place value in those things. What do you want to hear? That I’ve imagined it? Countless times? You beneath me, with your legs around me, wearing nothing but your pretty shoes?”

And yes, I did feel that the story regarding Gracewood's sister and her coming out into society took more of a precedent to the actual romance of the story. But, after reading the author's note, I can understand why Alexis Hall chose to write it as such; there was definitely potential for further stories for each of the characters, and I'm curious to see which one he will settle on. Amberglass - he was definitely...something. 😠 CW: PTSD, ableism, self-medicating with alcohol and drugs, grief, abusive parent (past), use of a dead name, war injury, violenceViola Carroll is the heroine of this book. A trans heroine. And while this particular characteristic is so perfectly portrayed and used throughout the book, it is not the main focus of it.